3D Generalist
I create 3D assets, characters, and interiors, from individual props to complete spaces.
A closer look at my game assets, product renders, characters, and interiors.
I model game-ready 3D assets with clean geometry and UV layouts that make good use of texture space. I create detailed textures and deliver the maps each asset needs, including diffuse or base color, ambient occlusion (AO), normal, roughness, and metallic maps.
I model products in 3D from sketches or reference photos, matching their materials, colors, and finishes. I create clean catalog shots, close-ups that show details like surface textures and labels, and renders that place the product in a real-world setting.
I turn sketches and references into 3D characters, shaping everything from the silhouette and facial features to the outfit and accessories. I build each character with clean topology, organized UV layouts, and detailed textures for skin, clothing, and props.
I turn floor plans, sketches, and reference photos into 3D interiors in Blender. I model everything from the room layout to the furniture and fixtures, then add materials and lighting to show how the finished space will look. I also create animated walkthroughs that let you see the interior at eye level and get a feel for how the rooms connect.
A prop needs to hold up close. A character needs to read in silhouette. An interior needs to feel like you could walk into it. I work across all three.
Blender is my specialty. I build game assets, stylized characters, product renders, and interiors using Blender’s built-in tools, from the first blockout to the final render.
I paint textures directly on my models, adding details like fabric grain, scratches, and worn edges.
I draw vector logos, decals, and labels for my 3D models and product renders.
I edit reference images, clean up texture maps, and touch up my final renders.
I model parts to exact dimensions, especially when they need to fit together.
I render products and interiors with realistic lighting, shadows, and reflections.
I build anime-style characters and customize their faces, hairstyles, and outfits.
I might be able to give you a better price. Let me know if you’d like me to send you an updated quote!
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I build a rough model at game scale, set the pivot, and check the silhouette beside nearby objects. Where a bake will help, I add high-poly details such as bevels, seams, and surface wear. I build the game mesh around the silhouette and remove geometry that adds little on screen. I place UV seams where they are less visible, keep texel density consistent, and leave enough padding between islands.
I deliver the editable source, game mesh, and named texture files. I include any required LODs and collision meshes, plus notes on material setup and import settings so the team can use the asset in the build.
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Add your paired product images to the assets folder.
I start with the available photos, sketches, measurements, or CAD files. I confirm the dimensions, finishes, and branding, then decide which views will show the product most clearly.
I model the product to scale or prepare the supplied CAD geometry for rendering. I pay attention to details like the gap between two parts, the shape of a button, and the bevel on an edge. Those details make a difference in close-ups.
I match the colors and surface finishes to the references. I adjust the texture and roughness so brushed metal, glass, and matte plastic respond to light as expected. I place logos and labels where they appear on the actual product.
I position lights so the reflections bring out the product’s shape. I choose a main angle that shows the overall form and use close-ups for features that need a closer look.
I compare preview renders with the references and check that details like labels stay readable at the final image size. After revisions, I export the approved views in the sizes and formats needed for the project.
I gather references for anatomy, clothing, hairstyles, and materials. I check which details need to match the concept, how close the camera will get, and how the character needs to move. For real-time projects, I also establish the target polygon count and texture sizes.
I use simple shapes to establish the head, torso, limbs, and major costume pieces. I check the front, side, and three-quarter views to see whether the proportions feel right and the silhouette reads clearly.
I refine the anatomy, facial features, and hands, then model the clothing, hair, and accessories. I work from large forms down to details such as fabric folds, stitching, and seams. I check that those details fit the character’s style and make sense for the materials.
I rebuild the sculpt into a mesh suited to the final project. I place edge loops around the eyes, mouth, shoulders, and joints so those areas can deform cleanly when rigged. For game characters, I spend polygons where they improve the silhouette or support movement.
I build 3D characters from concept art, sketches, and reference images. I start by understanding who the character is and how it will be used. That guides the proportions, the details I sculpt, and how I prepare the model for texturing, rigging, or rendering.
I turn floor plans, sketches, and reference photos into 3D interiors in Blender. I model everything from the room layout to the furniture and fixtures, then add materials and lighting to show how the finished space will look. I also create animated walkthroughs that let you see the interior at eye level and get a feel for how the rooms connect.
I start with the floor plan, measurements, and reference images. I confirm which rooms to show, what finishes to match, and whether the project calls for still renders, a walkthrough, or both.
I block out the walls, doors, windows, and main furniture in Blender. I check the proportions and furniture spacing, then view the space at eye level to see how the rooms connect.
Once the layout is set, I build the cabinetry, furniture, and fixtures. I add details like upholstery seams, drawer handles, and beveled edges where they’ll be visible in close-ups.
I match the finishes to the references, paying attention to details like the scale of the wood grain and the sheen on a countertop. I set up daylight and interior lights to show how those surfaces look in the finished space.
I plan where the camera enters, turns, and pauses. I test the route in a quick preview to check that it clears doorways, turns smoothly, and gives viewers enough time to look around each room.
I share preview images or a draft walkthrough for feedback. After revisions, I render the approved shots and export the final images or video in the agreed sizes and formats.
